Recent articles

Carlo Crivelli — the greatest illusionist that art forgot

    Too gothic to be a Renaissance master, this artist was wrongly overlooked — no longer thanks to this show at the Ikon gallery

    Zanele Muholi, Tate Modern

      Zanele Muholi’s self-portraits are magical

      London Grads Now, Saatchi Gallery, London SW3

        A lucky few graduates seize the moment — with work that questions nature and identity

        Titian exhibition: watch Waldemar Januszczak’s tour of the National Gallery’s masterly show

          Titian’s Poesies are united for the first time at the National Gallery, and Waldemar Januszczak is awestruck

          Cranach: Artist and Innovator, Compton Verney

            Were Lucas Cranach’s paintings of naked ladies there to titillate — or to educate? By Waldemar Januszczak

            Gordon Parks, Alison Jacques Gallery; Khadija Saye, 236 Westbourne Grove, London

              A resonant photography exhibition focusing on segregation in 1950s America turns the lens on to the everyday cruelties and injuries of racism

              Art in lockdown review: the National Portrait Gallery; Art Basel; David Zwirner gallery; Hauser & Wirth

                The challenges of lockdown have been met with varying degrees of success online by art galleries, says Waldemar Januszczak

                The National Gallery reopens

                  It is the first of the big guns to open its doors, and what treasures await

                  How Tracey Emin, Damien Hirst, Grayson Perry and others responded to the lockdown

                    Solitude has not only magnified the importance of art, but also given our artists a renewed sense of focus, says Waldemar Januszczak

                    The Pack by Joseph Beuys

                      Frightening times bring to mind a disturbing installation, says Waldemar Januszczak