Recent articles

Raphael and his sex life

    His reputation has tumbled in our neurotic century, but the artist’s luminous perfection —and love affairs — should be celebrated, says Waldemar Januszczak

    Paul Gauguin, The Little One Is Dreaming

      Artists who can depict children well in paintings are a rare breed, says Waldemar Januszczak

      Open art galleries and let us feed our souls 2m apart

        As I queued outside Tesco last week, dutifully maintaining my 6ft distance, mask on, gloves pulled, it occurred to me that I could be doing the same thing outside the National Gallery in London while waiting to see the marvellous Titian exhibition that opened there last month. It was open for a couple of days. […]

        Flogging off the family silver is an ancient art

          Few words trigger as much anger and consternation in cultural circles as “deaccessioning”. It’s an attempt to sound technical and managerial about an activity that stirs deep emotions. No one wants to call it what it is — “flogging off the family silver”. But, whatever words you use, it has always gone on. And with […]

          Artemisia Gentileschi

            Forget the lurid stories and celebrate the astonishing intimacy created by the first great female painter

            Cranach, Compton Verney

              Lucas Cranach took a sardonic view of the human desire for eternal youth. Will we never learn?

              Andy Warhol, Tate Modern

                A jerky ‘driftospective’ of Warhol’s art lacks the one thing we really need — wisdom

                Among the Trees, Hayward Gallery; Aubrey Beardsley, Tate Britain

                  This green show tells us little about its subject — and creates a big carbon footprint in the process

                  Titian: Love, Desire, Death at National Gallery

                    Titian’s masterly Poesies are united for the first time at the National Gallery, and Waldemar Januszczak is awestruck

                    British Surrealism, Dulwich Picture Gallery

                      A new exhibition shows that too many British surrealists substituted whimsy and pretension for a darker art

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