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Are we right to suspect the worst of Caravaggio?

    Startling. That’s the word that best describes the impact of the single painting by Caravaggio from which the management at the Wallace Collection has fashioned a dramatic, unsettling and richly engrossing exhibition. Painted in Rome in about 1601, Caravaggio’s Victorious Cupid shows a naked boy, aged about 12, balanced precariously on a messy heap of still-lifes. So […]

    My encounters with the smart, lethal Charles Saatchi

      In art some questions are difficult to answer. Was it really Leonardo da Vinci who painted the Salvator Mundi that was sold to a Saudi prince in 2017 for $450.3 million? We’ll never know for sure. What was Marcel Duchamp really trying to say when he turned a urinal upside down and called it Fountain? Beats me. Art […]

      My teenage ode to the joys of Tintoretto

        When I was a teenager — jejune, pretentious, cocky — I wrote a poem about the impact on me of Tintoretto. I’d been to Venice and seen his thunderous masterpieces in the Scuola Grande di San Rocco. For a few days it short-circuited my reason. Hence the poem. In almost any circumstance, I would be […]

        David Hockney at 88 — he’s begun his last dance with the joy of a child

          The most quoted remark by Picasso, his most telling quip, is: “It took me four years to paint like Raphael, but a lifetime to paint like a child.” It’s popular because it nails something tangible and crucial: the artistic joy that appears twice in a long creative life — at the beginning and at the […]

          Why does death inspire so much art? It’s the killer question

            When Moses came down from Mount Sinai with the Ten Commandments given to him by God, two in particular would have interested any artists gathered in the waiting crowd. One is the Second Commandment, which says, “Thou shalt not make unto thee any graven image, or any likeness of anything that is in heaven above […]

            Instead of attacking the old masters, this exciting show has fun with them

              Lisa Brice is no spring chicken. She’s 56. Yet only in the past few years has she managed to transform herself from “promising female painter with complex ideas about the role of women in art” to “ubiquitous art star”. These days you need a few million in the bank to buy a hefty Brice. What’s […]

              The forty million dollar man who made painting fashionable again

                Peter Doig. Whenever I see the name I hear the rustle of dollar bills and the jingle jangle of a big win on the slot machines. To my mind, Doig’s art — which fetches up to $40 million a painting — has become synonymous with fiscal success, and even interchangeable with it. However, his new […]

                Gilbert & George? It’s like being stuck with a pub bore

                  Two veteran artistic presences have appeared in London simultaneously. Both have been around the block many times. One remains fresh, active, naughty. The other has grown tired, repetitive, boring. Let’s deal with the tedious one first. Let’s deal with Gilbert & George. In the Sixties, when they were in their twenties, the two Gs were messing […]

                  Kate Moss and Lucian Freud — the supermodel reveals her side of the story

                    Why do people make tremulous films about artists? It’s a question I was close to screaming when I exited James Lucas’s film of the brief encounter between the supermodel Kate Moss and the super-duper painter Lucian Freud in the coke-stoked naughty Noughties. Moss & Freud is well short of being the worst example of this failed […]

                    The truth about Lee Miller is darker than Tate Britain would have us believe

                      The first thing to say about Lee Miller at Tate Britain is that it is a marvellous exhibition, full of riveting photography and powerful moments. The second thing to say about it is that it is dense with sexual complications and psychological darknesses that are more problematic than the show wants to admit. It’s not a cover-up. […]

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