Recent articles

Art in lockdown review: the National Portrait Gallery; Art Basel; David Zwirner gallery; Hauser & Wirth

    The challenges of lockdown have been met with varying degrees of success online by art galleries, says Waldemar Januszczak

    The National Gallery reopens

      It is the first of the big guns to open its doors, and what treasures await

      How Tracey Emin, Damien Hirst, Grayson Perry and others responded to the lockdown

        Solitude has not only magnified the importance of art, but also given our artists a renewed sense of focus, says Waldemar Januszczak

        The Pack by Joseph Beuys

          Frightening times bring to mind a disturbing installation, says Waldemar Januszczak

          Do It, Serpentine Gallery; Super Blue Omo, Njideka Akunyili Crosby

            The Serpentine’s daft ‘Do It’ project doesn’t do it for me — they could survey developments by black artists instead, says Waldemar Januszczak

            The Polish Rider by Rembrandt

              Waldemar Januszczak finds striking parallels between the painter’s mysterious subject and Clint Eastwood

              Kimono: Kyoto to the Catwalk

                A virtual exhibition wraps up the rich and dynamic history of this exquisitely beautiful Japanese garment, says Waldemar Januszczak

                Beethoven Frieze by Gustav Klimt

                  The unexpected TV appearance of Klimt’s painting reminds us of its peculiarity, says Waldemar Januszczak

                  Tate Modern anniversary: 20 years of wow

                    When the gallery opened in 2000 it changed the way we see art. Waldemar Januszczak examines its meteoric impact

                    Life? or Theatre? by Charlotte Salomon

                      Waldemar Januszczak struggles to pin down the masterwork of a German Jewish refugee who murdered her grandfather