Here we go again. Just as the arrival of the first swallow signals the start of spring, so the arrival of a financial crisis at the Royal Academy prompts a call for the academy to sell its most prized possession: the Taddei Tondo. Carved in Florence in the early 1500s, this unfinished relief is the […]

Some of Cecily Brown’s paintings at Blenheim misfire, but the best are snappy and subversive

Waldemar Januszczak is given exclusive access to the most important of the artist’s outpourings at the gallery’s temporary home

A lucky few graduates seize the moment — with work that questions nature and identity

Titian’s Poesies are united for the first time at the National Gallery, and Waldemar Januszczak is awestruck

Were Lucas Cranach’s paintings of naked ladies there to titillate — or to educate? By Waldemar Januszczak

A resonant photography exhibition focusing on segregation in 1950s America turns the lens on to the everyday cruelties and injuries of racism

The challenges of lockdown have been met with varying degrees of success online by art galleries, says Waldemar Januszczak

It is the first of the big guns to open its doors, and what treasures await

Solitude has not only magnified the importance of art, but also given our artists a renewed sense of focus, says Waldemar Januszczak