Tate Modern’s rare show of works by the Russian artist starts foggily and ends the same way
Archive
Waldemar Januszczak poses for Ai-Da, the world’s first humanoid robot artist
“I’m looking at the future — and she’s no Frida Kahlo,” says The Sunday Times art critic
Lee Krasner, Living Colour review, at the Barbican Art Gallery — a rousing and persuasive tribute
Lee Krasner’s bold art was constantly in flux, but her career was no less impressive for it, as a clever show reveals
Manga at the British Museum review — much in common with Michelangelo
The manga phenomenon has exploded at the British Museum, and how brilliantly it covers Japan’s bold graphic forms
Venice biennale
The event’s director, Ralph Rugoff, gives us interesting times in spades — but it’s love and Arshile Gorky that win the day
Emma Kunz, Serpentine Gallery; Grace Pailthorpe and Reuben Mednikoff, Camden Arts Centre
Paintings by a pair of Freudians make a Swiss healer’s doodles look sane
Chantal Joffe at Victoria Miro; Marcus Coates at Kate MacGarry
Chantal Joffe’s elegant but edgy portraits and Marcus Coates’s madcap animal sculptures are fierce yet joyous
Mike Nelson at Tate Britain review — junkyard sculptures lament our industrial past
The Asset Strippers fills Tate Britain’s cavernous Duveen Galleries with the machinery that once made Britain great
Baroque Art from Rome to England, Walker Art Gallery, Liverpool
Head to Liverpool for a careful look at one of the great English baroque paintings
Mary Quant, V&A
She brought design to the masses — and invented the miniskirt. Waldemar Januszczak on a Sixties presence