Jolly portraits of Stalin rub shoulders with the stark simplicity of the avant-garde in the RA’s brilliant Russian art show
Archive
David Hockney: How he made his mark
Chatty, cheerful, rebellious and sometimes irritating, Tate’s retrospective has it all, says Waldemar Januszczak
Knotty problem
Turner Contemporary’s attempt to make textile art seem exciting soon unravels
He’s got squares pegged
Richard Wilson goes unpublic with his mad and marvellous art — but who gets our vote for the Fourth Plinth?
‘This job will test every atom of your talent’
Our art critic has a bit of advice for the brand-new directors of Tate and the V&A
The art of the selfie
Painters used to be the only people capable of self-portraiture, but now we are all at it. As a new Saatchi Gallery show celebrates the selfie, is vanity itself is now an art form?
Stunning visions of a high-flyer
A little-seen side of the First World War features majestic Italian Alps, flirtatious locals and a painting pilot
A murky way of seeing
John Berger’s art series, so hailed in his obituaries, was neither great nor influential television
Stuck in the middle of a muddle
A return to ‘proper painting’ falls flat at the Saatchi, but there are welcome sparks of creativity at the ICA and Sadie Coles
A glorious revolutionary
Zaha Hadid leaves a typically brilliant legacy. It’s surprisingly cheery, too