David Hockney’s latest portraits show he’s still got it (mostly)
Archive
The woman who changes everything
A Victorian medium guided by the dead was an unlikely pioneer of modernism
Tate Modern: Bigger isn’t always better
The Tate’s vast extension is high on good intentions, but low on excitement. It’s all a bit too polite
Worlds of possibility
Abstraction is back, and female artists are in the vanguard of the revival
Visions of paradise
Maria Merian’s 17th-century butterfly pictures are both stunning natural history and proof of a deep spirituality
Tate’s bad impression
We don’t need a £260m pyramid, says our art critic. We need a creative force like the Impressionists to break the grip of the art establishment
Can you buy culture?
While Abu Dhabi awaits a Louvre, the world’s best street artists are being paid to decorate a mall in Dubai. Have they sold their souls?
A strange body of work
Maria Lassnig’s self-exposure packs a punch
Damien Hirst and Jeff Koons: The glamour twins
The biggest art celebrity in the world is showing in a grubby corner of London — at the gallery of the guy who comes in at No 2. They tell us why
Bark with Bite
George Shaw reboots the Old Masters at the National Gallery