She brought design to the masses — and invented the miniskirt. Waldemar Januszczak on a Sixties presence
Archive
Edvard Munch: Love and Angst, British Museum
Intense, nervy, unhappy, the Norwegian was also a bold, inventive printmaker, as a fascinating British Museum show proves
Van Gogh in Britain review — Tate Britain’s show reveals his fruitful relationship with these shores
This exhibition about the artist’s years in London offers several exciting paintings and a plotline that fizzles out
Wernher Collection, Ranger’s House
The rediscovered Botticelli at Ranger’s House is very good news — not least for what it tells us about pomegranates this Easter Day
Anthea Hamilton, Thomas Dane Gallery review — funny, inventive and a little unsettling
The British artist’s latest show surrounds you with clues, but never confronts you with solutions
So Much Longing in So Little Space: The Art of Edvard Munch by Karl Ove Knausgaard review
It’s supposed to be a biography, but Knausgaard writes more about himself than Munch
How George Michael became the world’s biggest art collector — and best friends with Tracey Emin
Waldemar Januszczak gets a sneak preview of the pop star’s art collection before it goes under the hammer
The Renaissance Nude, Royal Academy
The RA’s definition-busting show throws all preconceptions out of the window — and you’ll find at least as many naked men as women
The ugly truth behind art: why Nan Goldin is taking on the Sacklers
The Amercian artist is asking awkward questions about our gallery funding. It’s time we joined her
Dorothea Tanning review — some striking feminine anger at Tate Modern
One of many women overlooked in the surrealist movement, Tanning is now feted with a Tate show of her own