Archive

Dorothea Tanning review — some striking feminine anger at Tate Modern

    One of many women overlooked in the surrealist movement, Tanning is now feted with a Tate show of her own

    Christian Dior, V&A review — an intermittently delightful exhibition

      For all its charm, the V&A’s Christian Dior exhibition shows clearly that the brand couldn’t measure up to its founder’s work

      Diane Arbus: In the Beginning, Hayward Gallery

        A surprising show at the Hayward reveals the great photographer’s gentler side

        Tracey Emin, White Cube Bermondsey

          Childless, sleepless and now motherless: the artist gives voice to her pain in an explosive show. It’s a game-changer

          Jeff Koons, Ashmolean Museum, Oxford

            Koons at the Ashmolean: like Popeye giving the Reith Lectures

            Bill Viola/Michelangelo, Royal Academy

              The Royal Academy has put Bill Viola’s videos next to Michelangelo’s drawings: who wins?

              Pierre Bonnard at Tate Modern — brightness is not the same thing as brilliance

                Too many marks, too many colours, too little sense of direction: our critic is underwhelmed by the artist’s clunky, repetitive works

                Martin Creed, Hauser & Wirth; Prints I Wish I Had Published, Bernard Jacobson Gallery

                  The Turner winner writes loser’s poetry. Oddly, it gives him a special presence

                  The art of restoration: Artemisia Gentileschi, Rembrandt, Van Eyck and a new gallery trend

                    Live conservation is suddenly the hottest thing in the art world — and we have Artemisia Gentileschi to thank for that

                    Landseer’s The Monarch of the Glen and Rachel Maclean: The Lion and the Unicorn, National Gallery

                      The heroic Monarch of the Glen makes Landseer’s grim and compromised career look all the more noble at the National

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