One of many women overlooked in the surrealist movement, Tanning is now feted with a Tate show of her own
Archive
Christian Dior, V&A review — an intermittently delightful exhibition
For all its charm, the V&A’s Christian Dior exhibition shows clearly that the brand couldn’t measure up to its founder’s work
Diane Arbus: In the Beginning, Hayward Gallery
A surprising show at the Hayward reveals the great photographer’s gentler side
Tracey Emin, White Cube Bermondsey
Childless, sleepless and now motherless: the artist gives voice to her pain in an explosive show. It’s a game-changer
Jeff Koons, Ashmolean Museum, Oxford
Koons at the Ashmolean: like Popeye giving the Reith Lectures
Bill Viola/Michelangelo, Royal Academy
The Royal Academy has put Bill Viola’s videos next to Michelangelo’s drawings: who wins?
Pierre Bonnard at Tate Modern — brightness is not the same thing as brilliance
Too many marks, too many colours, too little sense of direction: our critic is underwhelmed by the artist’s clunky, repetitive works
Martin Creed, Hauser & Wirth; Prints I Wish I Had Published, Bernard Jacobson Gallery
The Turner winner writes loser’s poetry. Oddly, it gives him a special presence
The art of restoration: Artemisia Gentileschi, Rembrandt, Van Eyck and a new gallery trend
Live conservation is suddenly the hottest thing in the art world — and we have Artemisia Gentileschi to thank for that
Landseer’s The Monarch of the Glen and Rachel Maclean: The Lion and the Unicorn, National Gallery
The heroic Monarch of the Glen makes Landseer’s grim and compromised career look all the more noble at the National