Archive

Baroque Art from Rome to England, Walker Art Gallery, Liverpool

    Head to Liverpool for a careful look at one of the great English baroque paintings

    Mary Quant, V&A

      She brought design to the masses — and invented the miniskirt. Waldemar Januszczak on a Sixties presence

      Edvard Munch: Love and Angst, British Museum

        Intense, nervy, unhappy, the Norwegian was also a bold, inventive printmaker, as a fascinating British Museum show proves

        Van Gogh in Britain review — Tate Britain’s show reveals his fruitful relationship with these shores

          This exhibition about the artist’s years in London offers several exciting paintings and a plotline that fizzles out

          Wernher Collection, Ranger’s House

            The rediscovered Botticelli at Ranger’s House is very good news — not least for what it tells us about pomegranates this Easter Day

            Anthea Hamilton, Thomas Dane Gallery review — funny, inventive and a little unsettling

              The British artist’s latest show surrounds you with clues, but never confronts you with solutions

              So Much Longing in So Little Space: The Art of Edvard Munch by Karl Ove Knausgaard review

                It’s supposed to be a biography, but Knausgaard writes more about himself than Munch

                How George Michael became the world’s biggest art collector — and best friends with Tracey Emin

                  Waldemar Januszczak gets a sneak preview of the pop star’s art collection before it goes under the hammer

                  The Renaissance Nude, Royal Academy

                    The RA’s definition-busting show throws all preconceptions out of the window — and you’ll find at least as many naked men as women

                    The ugly truth behind art: why Nan Goldin is taking on the Sacklers

                      The Amercian artist is asking awkward questions about our gallery funding. It’s time we joined her

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