It is the first of the big guns to open its doors, and what treasures await
Recent articles
How Tracey Emin, Damien Hirst, Grayson Perry and others responded to the lockdown
Solitude has not only magnified the importance of art, but also given our artists a renewed sense of focus, says Waldemar Januszczak
The Pack by Joseph Beuys
Frightening times bring to mind a disturbing installation, says Waldemar Januszczak
Do It, Serpentine Gallery; Super Blue Omo, Njideka Akunyili Crosby
The Serpentine’s daft ‘Do It’ project doesn’t do it for me — they could survey developments by black artists instead, says Waldemar Januszczak
The Polish Rider by Rembrandt
Waldemar Januszczak finds striking parallels between the painter’s mysterious subject and Clint Eastwood
Kimono: Kyoto to the Catwalk
A virtual exhibition wraps up the rich and dynamic history of this exquisitely beautiful Japanese garment, says Waldemar Januszczak
Beethoven Frieze by Gustav Klimt
The unexpected TV appearance of Klimt’s painting reminds us of its peculiarity, says Waldemar Januszczak
Tate Modern anniversary: 20 years of wow
When the gallery opened in 2000 it changed the way we see art. Waldemar Januszczak examines its meteoric impact
Life? or Theatre? by Charlotte Salomon
Waldemar Januszczak struggles to pin down the masterwork of a German Jewish refugee who murdered her grandfather
How the great artists responded to lockdowns
Waldemar Januszczak looks at what artists such as Van Gogh and Picasso created in enforced isolation