Archive

The woman who changes everything

    A Victorian medium guided by the dead was an unlikely pioneer of modernism

    Tate Modern: Bigger isn’t always better

      The Tate’s vast extension is high on good intentions, but low on excitement. It’s all a bit too polite

      Worlds of possibility

        Abstraction is back, and female artists are in the vanguard of the revival

        Visions of paradise

          Maria Merian’s 17th-century butterfly pictures are both stunning natural history and proof of a deep spirituality

          Tate’s bad impression

            We don’t need a £260m pyramid, says our art critic. We need a creative force like the Impressionists to break the grip of the art establishment

            Can you buy culture?

              While Abu Dhabi awaits a Louvre, the world’s best street artists are being paid to decorate a mall in Dubai. Have they sold their souls?

              A strange body of work

                Maria Lassnig’s self-exposure packs a punch

                Damien Hirst and Jeff Koons: The glamour twins

                  The biggest art celebrity in the world is showing in a grubby corner of London — at the gallery of the guy who comes in at No 2. They tell us why

                  Bark with Bite

                    George Shaw reboots the Old Masters at the National Gallery

                    Shock to the system

                      Mona Hatoum’s mysterious installations are suffused with the menacing world in which she grew up

                      • All articles

                      Privacy Overview

                      This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.