Recent articles

Gordon Parks, Alison Jacques Gallery; Khadija Saye, 236 Westbourne Grove, London

    A resonant photography exhibition focusing on segregation in 1950s America turns the lens on to the everyday cruelties and injuries of racism

    Art in lockdown review: the National Portrait Gallery; Art Basel; David Zwirner gallery; Hauser & Wirth

      The challenges of lockdown have been met with varying degrees of success online by art galleries, says Waldemar Januszczak

      The National Gallery reopens

        It is the first of the big guns to open its doors, and what treasures await

        How Tracey Emin, Damien Hirst, Grayson Perry and others responded to the lockdown

          Solitude has not only magnified the importance of art, but also given our artists a renewed sense of focus, says Waldemar Januszczak

          The Pack by Joseph Beuys

            Frightening times bring to mind a disturbing installation, says Waldemar Januszczak

            Do It, Serpentine Gallery; Super Blue Omo, Njideka Akunyili Crosby

              The Serpentine’s daft ‘Do It’ project doesn’t do it for me — they could survey developments by black artists instead, says Waldemar Januszczak

              The Polish Rider by Rembrandt

                Waldemar Januszczak finds striking parallels between the painter’s mysterious subject and Clint Eastwood

                Kimono: Kyoto to the Catwalk

                  A virtual exhibition wraps up the rich and dynamic history of this exquisitely beautiful Japanese garment, says Waldemar Januszczak

                  Beethoven Frieze by Gustav Klimt

                    The unexpected TV appearance of Klimt’s painting reminds us of its peculiarity, says Waldemar Januszczak

                    Tate Modern anniversary: 20 years of wow

                      When the gallery opened in 2000 it changed the way we see art. Waldemar Januszczak examines its meteoric impact