Archive

Tate Modern: Bigger isn’t always better

    The Tate’s vast extension is high on good intentions, but low on excitement. It’s all a bit too polite

    Worlds of possibility

      Abstraction is back, and female artists are in the vanguard of the revival

      Visions of paradise

        Maria Merian’s 17th-century butterfly pictures are both stunning natural history and proof of a deep spirituality

        Tate’s bad impression

          We don’t need a £260m pyramid, says our art critic. We need a creative force like the Impressionists to break the grip of the art establishment

          Can you buy culture?

            While Abu Dhabi awaits a Louvre, the world’s best street artists are being paid to decorate a mall in Dubai. Have they sold their souls?

            A strange body of work

              Maria Lassnig’s self-exposure packs a punch

              Damien Hirst and Jeff Koons: The glamour twins

                The biggest art celebrity in the world is showing in a grubby corner of London — at the gallery of the guy who comes in at No 2. They tell us why

                Bark with Bite

                  George Shaw reboots the Old Masters at the National Gallery

                  Shock to the system

                    Mona Hatoum’s mysterious installations are suffused with the menacing world in which she grew up

                    Divine Inspiration

                      Lucid, engrossing and delightful, Sicily: Culture and Conquest is great art aimed at modern Europe

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