Archive

Gauguin’s sensational use of the colour is on show at the Courtauld.

Laura Knight was a woman on a mission — and a retrospective at the NPG shows flashes of genius.

Confusing art with food is a bad idea. Waldemar explains why.

The Royal Academy’s Mexico show makes a decent fist of bringing revolutionary fervour to life, but crammed into a space like this, it’s not a full-on fiesta.

Tate Britain grandly presents LS Lowry as a pioneer worthy of comparison to Van Gogh. Bad idea. Yet in the last room Waldemar enjoys a moment of revelation amid the gloom.

While Gary Hume finds beauty in the banal, Patrick Caulfield is just too brainy to be moving

Waldemar at the 55th Venice Biennale.

The National’s Saints Alive is Waldemar Januszczak’s show of the year.

Waldemar looks at the art of Tudor and Stuart Fashion.

After years of thematic muddle, Tate Britain’s clear and chronological rehang has at last given us a proper national museum, while turning up lost treasures.