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The five rules of buying art

    Waldemar Januszczak’s five golden rules for buying art

    Light on substance

      Alexander Calder’s work is cute, but not clever enough for grown-ups

      It’s just child’s play for them

        The V&A’s revamped Japanese gallery reveals a genius for exquisite precision

        Skewering the Celts

          The British Museum brilliantly explodes the myths of an ancient ‘race’

          In a very dark place

            We need more Mat Collishaw: his intense twilight beauty equals great art

            Frank Auerbach, Tate Britain

              He has become our greatest living artist. See him sweat the big stuff now at Tate Britain

              The glory of Goya

                An exceptional investigation by the National Gallery reveals how his portraits went from wonky to sublime

                Colour me sideways

                  In the first show at Damien Hirst’s stonking gallery, John Hoyland’s vibrant paintings are a simple joy

                  Pop that packs a punch

                    Tate Modern’s show of the world’s pop art is challenging, political and bright

                    Smash hit of dissident thinking

                      Ai Weiwei’s show at the Royal Academy is a provocative collision of sculptural grandeur, politics and wanton destruction

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