A surprising show at the Hayward reveals the great photographer’s gentler side
Archive
Tracey Emin, White Cube Bermondsey
Childless, sleepless and now motherless: the artist gives voice to her pain in an explosive show. It’s a game-changer
Jeff Koons, Ashmolean Museum, Oxford
Koons at the Ashmolean: like Popeye giving the Reith Lectures
Bill Viola/Michelangelo, Royal Academy
The Royal Academy has put Bill Viola’s videos next to Michelangelo’s drawings: who wins?
Pierre Bonnard at Tate Modern — brightness is not the same thing as brilliance
Too many marks, too many colours, too little sense of direction: our critic is underwhelmed by the artist’s clunky, repetitive works
Martin Creed, Hauser & Wirth; Prints I Wish I Had Published, Bernard Jacobson Gallery
The Turner winner writes loser’s poetry. Oddly, it gives him a special presence
The art of restoration: Artemisia Gentileschi, Rembrandt, Van Eyck and a new gallery trend
Live conservation is suddenly the hottest thing in the art world — and we have Artemisia Gentileschi to thank for that
Landseer’s The Monarch of the Glen and Rachel Maclean: The Lion and the Unicorn, National Gallery
The heroic Monarch of the Glen makes Landseer’s grim and compromised career look all the more noble at the National
Cast Courts, V&A, London
From Trajan’s Column to Michelangelo’s David, the V&A’s reopened Cast Courts house thrilling full-size replicas of the world’s artistic wonders
Thomas Gainsborough, National Portrait Gallery
Gainsborough was mesmerised by his daughters, and so are we