Archive

The RA’s Allen Jones retrospective is a silly show, proving how the pop artist’s career took a disastrous turn from poetic to seedy

Schiele’s nudes are kinky, sexy and outrageous; Moroni’s portraits and religious works are intense and disconcerting

The Hayward’s tries for a new take on the old story of urban alienation, but its egotism gets in the way

It’s taken five years, £42m and the sacking of a director, but the revamped Musée Picasso, in Paris, gives the artist’s work the setting it deserves

The National Gallery’s magnificent new exhibition reveals a better and truer Rembrandt — don’t miss it

His Tate show is a forceful, gripping event — despite the stoner middle years

The 2014 Turner prize plumbs the depths of portentous banality. Do yourself a favour, stay away from the show — but first read why it’s so bad

Never mind some of the wonky myths he explores, just feel Anselm Kiefer’s power in his thrilling Royal Academy retrospective

Constable was no natural genius, but a plodder who made good, as the V&A’s revisionist show proves

Did he anticipate modernism, or had he gone mad? Tate Britain’s show of Turner’s late works doesn’t give us the answer we expect