Archive

Aftermath, Tate Britain

    The postwar art on show at Tate Britain is moving, but the works by German artists will haunt

    Thomas Cole and Ed Ruscha, National Gallery; Christo’s Mastaba, Serpentine

      Thomas Cole and Ed Ruscha light up the National Gallery with their extraordinary visions of decline

      Frida Kahlo at the V&A and Cindy Sherman at Sprüth Magers

        A display of Frida Kahlo’s intimate effects at the V&A is deeply revelatory and riveting

        Animals & Us, Margate Contemporary

          Our often unhappy relationship with animals is cleverly explored at Turner Contemporary

          Life in Motion — Egon Schiele and Francesca Woodman, Tate Liverpool

            Tate Liverpool pairs an Austrian genius with a little-known American photographer to eye-opening effect

            The Royal Academy redesign

              The RA’s magnificent new spaces show that it has finally said goodbye to the old duffers and found a purpose

              Shape of Light, Tate Modern

                How did Tate Modern get it so wrong with Shape of Light? The photography at this doze-fest just isn’t up to it

                Rodin and the Art of Ancient Greece at the British Museum

                  Placing Rodin next to the Elgin marbles proves a revelation — but it’s the Greeks who emerge as clear winners

                  Waldemar Januszczak wants to make American art great again

                    In his new TV series, Big Sky, Big Dreams, Big Art, our art critic digs up a wealth of American treasures

                    An Occupation of Loss, Islington Green

                      An Occupation of Loss is a profound meditation on the universality of grief. How apt

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