Archive

Changing times

    Michael Craig-Martin’s portraits of electronic devices do what all the best still lifes should do — remind us of our mortality

    Lives less ordinary

      Everyday people were the focus of many Dutch 17th-century masters. Hurrah for Buckingham Palace for making a damn fine show of them

      The five rules of buying art

        Waldemar Januszczak’s five golden rules for buying art

        Light on substance

          Alexander Calder’s work is cute, but not clever enough for grown-ups

          It’s just child’s play for them

            The V&A’s revamped Japanese gallery reveals a genius for exquisite precision

            Skewering the Celts

              The British Museum brilliantly explodes the myths of an ancient ‘race’

              In a very dark place

                We need more Mat Collishaw: his intense twilight beauty equals great art

                Frank Auerbach, Tate Britain

                  He has become our greatest living artist. See him sweat the big stuff now at Tate Britain

                  The glory of Goya

                    An exceptional investigation by the National Gallery reveals how his portraits went from wonky to sublime

                    Colour me sideways

                      In the first show at Damien Hirst’s stonking gallery, John Hoyland’s vibrant paintings are a simple joy

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