Waldemar Januszczak reviews Mixing It Up at the Hayward Gallery
Archive
Bellotto at the National Gallery — paintings in a different league from his uncle, Canaletto
Bernardo Bellotto (1721-80) is an indistinct presence in the annals of art.
Lucian Freud at Tate Liverpool review — the naked truth is revealed
For once a show of the portrait artist’s work that doesn’t feel like visiting a naturist camp — with your clothes on
Sophie Taeuber-Arp at Tate Modern — the forgotten genius of artists’ wives
They cooked, they cleaned — no wonder it took so long to discover the work of women such as Sophie Taeuber-Arp
Paula Rego at Tate Britain: an overlooked artist to rival Hockney and Bacon
She is one of the most important artists working in Britain today — she’s brilliant, intense and a bit bonkers. Why is she so perversely overlooked?
Waldemar Januszczak on how Covid and cancel culture have shaken the art world
Our greatest museums and galleries have been tested like never before. Only one hasn’t put a foot wrong
Orford Ness is a 5‑star location for the dystopian vision of Afterness by Artangel
Artangel’s latest project whips up dystopian fears at an abandoned military base
Gustave Moreau at Waddesdon Manor review — dark and decadent
The symbolist artist runs riot in these illustrations of classic tales
An ambitious exhibition of Nina Hamnett and Lisa Brice
Charleston gives the overlooked artist Nina Hamnett the show she deserves
Jean Dubuffet at the Barbican review — tackling art’s biggest brute
Who’d have thought that the embarrassingly bad art of Jean Dubuffet could be the subject of an exceptional exhibition?