A return to ‘proper painting’ falls flat at the Saatchi, but there are welcome sparks of creativity at the ICA and Sadie Coles

Zaha Hadid leaves a typically brilliant legacy. It’s surprisingly cheery, too

Waldemar’s review on the new gallery

Robert Rauschenberg is revered in the US. Now, finally, the rest of us can see why

The Design Museum has tripled in size — too bad it has lost its sense of purpose