She is one of the most important artists working in Britain today — she’s brilliant, intense and a bit bonkers. Why is she so perversely overlooked?
Archive
Waldemar Januszczak on how Covid and cancel culture have shaken the art world
Our greatest museums and galleries have been tested like never before. Only one hasn’t put a foot wrong
Orford Ness is a 5‑star location for the dystopian vision of Afterness by Artangel
Artangel’s latest project whips up dystopian fears at an abandoned military base
Gustave Moreau at Waddesdon Manor review — dark and decadent
The symbolist artist runs riot in these illustrations of classic tales
An ambitious exhibition of Nina Hamnett and Lisa Brice
Charleston gives the overlooked artist Nina Hamnett the show she deserves
Jean Dubuffet at the Barbican review — tackling art’s biggest brute
Who’d have thought that the embarrassingly bad art of Jean Dubuffet could be the subject of an exceptional exhibition?
$69 million for this digital artwork? Inside the crazy world of NFTs
How did a digital image become the third most expensive artwork ever sold by a living artist? Waldermar Januszczak on the inexplicable rise of ‘non-fungible tokens’
Matejko: Conversations with God at the National Gallery
Jan Matejko’s Copernicus was a picture intended to galvanise a nation
Waldemar Januszczak on David Hockney at the Royal Academy
The artist’s iPad landscapes seem designed to cheer up the nation
Eileen Agar was more than just a surrealist
This action-packed exhibition reveals another side to the British artist
