Archive

The drugs do work in Fred Tomaselli’s psychedelic studies of paradise found and lost, says Waldemar Januszczak

It’s got Monet, it’s got water, and it throws in Turner and Whistler — Tate Britain’s new show is sure to make a splash, says Waldemar Januszczak

We need religious art more than ever, says Waldemar Januszczak — but his spirit wasn’t revived by Tate Liverpool’s Seeing Is Believing

An ambitious show at the Whitechapel seeks out the real forebears of today’s Turner-winning video artists. A brave idea, says Waldemar Januszczak

Put two Manet paintings face to face, as the Courtauld Gallery has done, and there’s no mistaking what the artist was up to, says Waldemar Januszczak

The Turner prize is announced tomorrow – and it owes it all to a humble urinal, explains Waldemar Januszczak

On holiday with an estate agent? Waldemar Januszczak can think of no better companion to help negotiate the wilds of Costa Rica. After all, ‘Propo-Tourism’ is the next big thing

In an east London gallery, Waldemar Januszczak struggles to match striking photographs of Russian women with their anonymous voices and sad personal sagas

Contemporary artists must not hold back from dealing with contentious issues, says Waldemar Januszczak

Robert Frank’s thoughtful, unhurried photographs exude surprising human heat, says Waldemar Januszczak