It works in Greece, so why not Japan? Waldemar Januszczak goes island-hopping in the East China Sea
Archive
A makeover show — without ground force
More decorator than painter, Renoir should have stayed indoors, says Waldemar Januszczak
Hollywood royalty is cleverly dethroned at the Serpentine, says Waldemar Januszczak
Hollywood royalty is cleverly dethroned at the Serpentine
The pleasures of undescriptive colour
Smart, tarty and urban, the new abstraction is naughty but nice, says Waldemar Januszczak
Hogarth at Tate Britain
There’s no shortage of ribaldry in the Tate’s cleverly staged Hogarth show, but the inventive ‘conversation pieces’ show another dimension to his work, says Waldemar Januszczak
Canaletto in London at DPG
Forget Venice. London brought the best out of Canaletto, says Waldemar Januszczak
What do we want?
For all its anger, Mark Wallinger’s protest art fails to ignite Waldemar Januszczak
There’s revolution in the air
Waldemar Januszczak finds Dexter Dalwood bristling with punky, political aggro
Let slip the Brit Art dogs
Their bite is still sharp, as a retrospective at Tate Liverpool proves. Waldemar Januszczak feels the teeth of the Chapman brothers
Grotto fabulous
Banksy is not the only artist to give short shrift to the festive season. God bless ’em, one and all, says Waldemar Januszczak