Art: Gabriel Orozco

    Gabriel Orozco once showed us the shape of things to come. The Serpentine’s show of his dull geometry marks him down as a square, says Waldemar Januszczak

    Art: Surrealism

      Surrealism was born 200 years before its time in the glorious detail of still-life genius Luis Melendez. By Waldemar Januszczak

      Art: This Was Tomorrow

        Art & the 60s: This Was Tomorrow could just as easily be today. Waldemar Januszczak swings along to Tate Britain’s cool take on the Brit Art of yesterday

        Art: Luc Tuymans

          Tate Modern’s retrospective reveals the darkness at the heart of Luc Tuymans’s work. It also exposes his talent for evasion, says Waldemar Januszczak

          Art: The East End Academy

            It’s got the wrong name, but the Whitechapel’s new show of local artists does have street cred, says Waldemar Januszczak

            Art: Scenes through a glass starkly

              Mariele Neudecker’s stunning show puts the lost romance back into German landscapes — and the lost heart into St Ives, says Waldemar Januszczak

              Art: Unsafe as houses

                Two huge installations — one in London, the other in Oxford — challenge the foundations of our most basic assumptions. Waldemar Januszczak revels in the mystery of it all

                Tragedy of the burnt masterworks

                  Jokes about a ‘bonfire of the vanities’ are crass. We have lost art that really mattered, says our art critic Waldemar Januszczak

                  Art: Truly, deeply, sadly

                    His subjects ranged from glum to glummer — but look beyond the wistful views and Edward Hopper’s work has a glorious strength. By Waldemar Januszczak

                    Art: Once nothing more than weak tea bags of womanhood …

                      Modigliani’s madonnas actually suggest a far stronger brew, Waldemar Januszczak now realises