Archive

The car’s not the only star in Richard Prince’s powerful British debut

Boucher and Chardin were radical opposites. The Wallace Collection’s joint exhibition is chance to decide which one is your cup of tea

Mona Hatoum’s shock tactics combine the deceptively pretty with the distinctly unnerving

Bob Dylan is a real genius – just not when he has a paint brush in his hand

Blek le Rat is the grand old man of street art — he paved the way for our very own Banksy. After years of dodging the French authorities he’s finally making serious money. But is he still a revolutionary? Portraits by Pal Hansen

Tracey Emin’s gory gallery saves the RA’s average-as-ever summer show

Gustav Klimt’s art was erotic all right, but sexy to the tune of £135m? Our correspondent cops a feel of his Tate Liverpool show

The Chapmans have remade their best work. It’s outrageously good

There is startling work in Tate Modern’s Street & Studio show, but our critic doesn’t buy its urban myths

Grayson Perry’s curatorial austerity trip is heavy going