Enfant terrible – Interview: Damien Hirst

    He’s given up drink. He’s given up drugs. Even more shockingly, Damien Hirst has found God. But dabbling in religious imagery has still left him with blood on his hands

    Art: Paul Nash

      Paul Nash’s devastating war paintings have only one real equal: Picasso’s Guernica, says Waldemar Januszczak

      Art: Shakespeare in Art

        Why does Shakespeare in Art lack drama? That is the question, says Waldemar Januszczak

        Art: Is there anything left to say about the Mona Lisa

          Waldemar Januszczak finds the answer in the Queen’s Leonardo drawings

          Art: A style that never was

            There are two kinds of art deco, discovers Waldemar Januszczak at the V&A: the one he likes, and the one he doesn’t

            Art: Catch him if you can

              Titian kept rewriting painting’s rules, with his nudes as much as his portraits, in his early works as much as his late. We haven’t grasped all of him yet, says Waldemar Januszczak

              Art: Black was the colour

                Max Beckmann rails against the world in almost every painting — but he never seemed to grasp what made him quite so angry, says Waldemar Januszczak

                Cover Story: Not so candid Cameron

                  She might have been the world’s first celebrity snapper, but did Julia Margaret Cameron really see what was right under her nose, asks Waldemar Januszczak

                  Art: Bin a long time coming

                    One brave artist has finally dared poke fun at the West’s worst nightmare — and hopefully shown us not to trust everything we see. Just don’t mention the war, says Waldemar Januszczak

                    Art: Stuck in the middle with you

                      De Chirico might have been obsessed with Ariadne, but does that make his work samey, asks Waldemar Januszczak