…same as the old mess. Waldemar Januszczak can’t see the sense of the Tate Modern rehang

Ed Kienholz’s wild constructions transformed pop art, but the Baltic has turned his shout into a whisper, says Waldemar Januszczak

Her new show may be shadowed by a sense of mortality, but Sam Taylor-Wood has lost none of her ability to fascinate, says Waldemar Januszczak

Whatever your point of view, the Hayward’s dodgem ride of a display will impress you with its energy, says Waldemar Januszczak

Could Cecily Brown be the best British artist painting today? She certainly gives great sex, says Waldemar Januszczak

It starts out as a modernist’s dream: so why does the V&A’s stunning new show still manage to lose its way, asks Waldemar Januszczak

Ellsworth Kelly is still the king of colour — Waldemar Januszczak’s just not sure the new ones are working for him

The Tate’s thoroughly modern Bauhaus greats are hot at both ends, but a muddle in the middle, says Waldemar Januszczak

Tate Britain is again shirking its patriotic duty, claims Waldemar Januszczak

Two geniuses going 15 rounds for the heavyweight belt of the baroque: but with Caravaggio and Rembrandt in the ring, is it too tough to call, asks Waldemar Januszczak