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The art of excess

    He was a highly respected society painter. He was also the master of X-rated art — a 17th-century Tarantino. How did Rubens get away with it? Waldemar Januszczak reports

    Art: Diane Arbus

      Her take on life’s freak show was undoubtedly unique — yet Diane Arbus’s inspired eye wasn’t staring, but sharing. Waldemar Januszczak is hooked

      Art: Degas, Sickert and Lautrec

        Three great Euro painters in the home of British art. Waldemar Januszczak’s seen the one about two Frenchmen and a Dane — but does he get it? Erm…

        Art: Gaze of thunder

          Edvard Munch looks harder at himself than any other artist. His unsparing paintings are simply transfixing, says Waldemar Januszczak

          Art: Congo the chimpanzee

            Even Picasso was a fan. What makes the paintings of Congo the chimpanzee so beguiling, asks Waldemar Januszczak

            Art: The rocky rehung picture show

              Tate Britain’s New Displays rewrites the story of British art — trouble is, the result is a nonsense, says Waldemar Januszczak

              Art: Behind the Iran curtain

                The British Museum has rightly tried to shed light on ancient Persia, but Waldemar Januszczak isn’t sufficiently dazzled

                Art: Good vibrations

                  Cecily Brown is that rare thing, an artist who captures the sensation of sex, says Waldemar Januszczak

                  Art: Home is where the art isn’t

                    The Serpentine’s latest reality show is a tale of domestic drudgery. But Giancarlo Neri’s Writer raises a smile for Waldemar Januszczak

                    Art: On the rocks

                      Diamonds are the most dazzling of gems, so why put them in a show that dims their natural brilliance, asks Waldemar Januszczak

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