Tom Jones? At the National? No, not that one, silly. This neglected genius produced some of the 18th century’s best landscape paintings, says Waldemar Januszczak
Archive
Art: Tate Modern
Try your hand at ping pong, read philosophy, then bask in the sun. Waldemar Januszczak swaps his sandwiches for an afternoon of interaction at the Tate
Cause celeb
No … that can’t be Camilla! And what’s Sven up to? In Alison Jackson’s work your wildest fantasies about the famous come true, says Waldemar Januszczak
Art: Life’s much too short
Bill Viola’s ‘old masters’ in slo-mo can’t compete with the real thing, says Waldemar Januszczak
Art: Rossetti
Don’t be quick to dismiss them. Rossetti’swomen were more than pre-Raphaelite poster art: they smacked of grand passions. By Waldemar Januszczak
Enfant terrible – Interview: Damien Hirst
He’s given up drink. He’s given up drugs. Even more shockingly, Damien Hirst has found God. But dabbling in religious imagery has still left him with blood on his hands
Art: Paul Nash
Paul Nash’s devastating war paintings have only one real equal: Picasso’s Guernica, says Waldemar Januszczak
Art: Shakespeare in Art
Why does Shakespeare in Art lack drama? That is the question, says Waldemar Januszczak
Art: Is there anything left to say about the Mona Lisa
Waldemar Januszczak finds the answer in the Queen’s Leonardo drawings
Art: A style that never was
There are two kinds of art deco, discovers Waldemar Januszczak at the V&A: the one he likes, and the one he doesn’t