Archive

Modigliani’s women

    His women might all look alike, but lean a little closer and his passion shines out, says Waldemar Januszczak

    The artist as outsider?

      Hardly — a new exhibition paints a picture of rebels desperate to fit in, says Waldemar Januszczakc

      Tate strikes gold

        The Tate has struck gold with its glorious Kandinsky. But for Waldemar Januszczak, it makes Howard Hodgkin look a load of old fluff

        Don’t believe everything you see

          That’s the tough message of Thomas Demand. By Waldemar Januszczak

          It’s time to get real

            There has been a complete loss of perspective over Constable, says an impious Waldemar Januszczak

            The light fantastic

              The sun is shining again on Monet’s greatest work. All is well with the world, reflects Waldemar Januszczak

              Kazakhstanis eat horses, don’t they?

                In the obscure cluster of Central Asian nations, Kazakhstan stands out for its fine art, naked choristry and equestrian recipes. Waldemar Januszczak investigates

                Television: Smiling for the cameras

                  Her lookalikes are a hoot — but there’s more to Alison Jackson than meets the eye, says Waldemar Januszczak

                  Meet the new mess

                    …same as the old mess. Waldemar Januszczak can’t see the sense of the Tate Modern rehang

                    Art: Darkness made lite

                      Ed Kienholz’s wild constructions transformed pop art, but the Baltic has turned his shout into a whisper, says Waldemar Januszczak

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