Art: Stubbs

    His kingdom was the horse, and Stubbs has lately reigned supreme. But the National show makes him look like a runner-up, says Waldemar Januszczak

    Where true colours peep through the haze

      The Barbican’s new show has flashes of brilliance — but they can never make up for that accursed space, says Waldemar Januszczak

      Art: The grooviest show on ear

        Who would have thought that Gilbert and George and a pile of stinky ginkgo would make the best Venice Biennale yet for Waldemar Januszczak

        Her only subject matter was herself

          Fashion has inflated her reputation, yet Frida Kahlo had a fierce, at times great talent, says Waldemar Januszczak

          Art: A cause celeb

            How did we end up with Celebrity Love Island? It all started with Joshua Reynolds, says Waldemar Januszczak

            Art: Two for sorrow

              They’re dark and lite, sober and brash … But put Rebecca Horn and Tracey Emin side by side, and it’s the sad girl from Margate who gets my vote, says Waldemar Januszczak

              Folk Archive

                Under Jeremy Deller’s guidance, folk art kicks off its clogs for ever

                Art: Power to the people

                  Under Jeremy Deller’s guidance, folk art kicks off its clogs for ever. By Waldemar Januszczak

                  Art: The Sistine Chapel has a secret

                    What is it? Aha. We’ll only know that when we crack the Michelangelo code. And Waldemar Januszczak thinks he’s done it

                    Art: Andreas Slominski

                      A man made a glider, then broke it up again. It’s not art as we know it, but that’s the point, says Waldemar Januszczak