Recent articles

The Ricotta Eaters by Vincenzo Campi

    What links a little-known Italian artist, Shakespeare and red trousers? A painting of cheese eaters, with a bitter aftertaste

    Raphael and his sex life

      His reputation has tumbled in our neurotic century, but the artist’s luminous perfection —and love affairs — should be celebrated, says Waldemar Januszczak

      Paul Gauguin, The Little One Is Dreaming

        Artists who can depict children well in paintings are a rare breed, says Waldemar Januszczak

        Open art galleries and let us feed our souls 2m apart

          As I queued outside Tesco last week, dutifully maintaining my 6ft distance, mask on, gloves pulled, it occurred to me that I could be doing the same thing outside the National Gallery in London while waiting to see the marvellous Titian exhibition that opened there last month. It was open for a couple of days. […]

          Flogging off the family silver is an ancient art

            Few words trigger as much anger and consternation in cultural circles as “deaccessioning”. It’s an attempt to sound technical and managerial about an activity that stirs deep emotions. No one wants to call it what it is — “flogging off the family silver”. But, whatever words you use, it has always gone on. And with […]

            Artemisia Gentileschi

              Forget the lurid stories and celebrate the astonishing intimacy created by the first great female painter

              Cranach, Compton Verney

                Lucas Cranach took a sardonic view of the human desire for eternal youth. Will we never learn?

                Andy Warhol, Tate Modern

                  A jerky ‘driftospective’ of Warhol’s art lacks the one thing we really need — wisdom

                  Among the Trees, Hayward Gallery; Aubrey Beardsley, Tate Britain

                    This green show tells us little about its subject — and creates a big carbon footprint in the process

                    Titian: Love, Desire, Death at National Gallery

                      Titian’s masterly Poesies are united for the first time at the National Gallery, and Waldemar Januszczak is awestruck