Recent articles

London Grads Now, Saatchi Gallery, London SW3

    A lucky few graduates seize the moment — with work that questions nature and identity

    Titian exhibition: watch Waldemar Januszczak’s tour of the National Gallery’s masterly show

      Titian’s Poesies are united for the first time at the National Gallery, and Waldemar Januszczak is awestruck

      Cranach: Artist and Innovator, Compton Verney

        Were Lucas Cranach’s paintings of naked ladies there to titillate — or to educate? By Waldemar Januszczak

        Gordon Parks, Alison Jacques Gallery; Khadija Saye, 236 Westbourne Grove, London

          A resonant photography exhibition focusing on segregation in 1950s America turns the lens on to the everyday cruelties and injuries of racism

          Art in lockdown review: the National Portrait Gallery; Art Basel; David Zwirner gallery; Hauser & Wirth

            The challenges of lockdown have been met with varying degrees of success online by art galleries, says Waldemar Januszczak

            The National Gallery reopens

              It is the first of the big guns to open its doors, and what treasures await

              How Tracey Emin, Damien Hirst, Grayson Perry and others responded to the lockdown

                Solitude has not only magnified the importance of art, but also given our artists a renewed sense of focus, says Waldemar Januszczak

                The Pack by Joseph Beuys

                  Frightening times bring to mind a disturbing installation, says Waldemar Januszczak

                  Do It, Serpentine Gallery; Super Blue Omo, Njideka Akunyili Crosby

                    The Serpentine’s daft ‘Do It’ project doesn’t do it for me — they could survey developments by black artists instead, says Waldemar Januszczak

                    The Polish Rider by Rembrandt

                      Waldemar Januszczak finds striking parallels between the painter’s mysterious subject and Clint Eastwood