Recent articles

Natalia Goncharova at Tate Modern review — not a convincing case for her talent

    Tate Modern’s rare show of works by the Russian artist starts foggily and ends the same way

    Waldemar Januszczak poses for Ai-Da, the world’s first humanoid robot artist

      “I’m looking at the future — and she’s no Frida Kahlo,” says The Sunday Times art critic

      Lee Krasner, Living Colour review, at the Barbican Art Gallery — a rousing and persuasive tribute

        Lee Krasner’s bold art was constantly in flux, but her career was no less impressive for it, as a clever show reveals

        Manga at the British Museum review — much in common with Michelangelo

          The manga phenomenon has exploded at the British Museum, and how brilliantly it covers Japan’s bold graphic forms

          Venice biennale

            The event’s director, Ralph Rugoff, gives us interesting times in spades — but it’s love and Arshile Gorky that win the day

            Emma Kunz, Serpentine Gallery; Grace Pailthorpe and Reuben Mednikoff, Camden Arts Centre

              Paintings by a pair of Freudians make a Swiss healer’s doodles look sane

              Chantal Joffe at Victoria Miro; Marcus Coates at Kate MacGarry

                Chantal Joffe’s elegant but edgy portraits and Marcus Coates’s madcap animal sculptures are fierce yet joyous

                Mike Nelson at Tate Britain review — junkyard sculptures lament our industrial past

                  The Asset Strippers fills Tate Britain’s cavernous Duveen Galleries with the machinery that once made Britain great

                  Baroque Art from Rome to England, Walker Art Gallery, Liverpool

                    Head to Liverpool for a careful look at one of the great English baroque paintings

                    Mary Quant, V&A

                      She brought design to the masses — and invented the miniskirt. Waldemar Januszczak on a Sixties presence