The Courtauld’s extraordinary gems are undersold in the National’s new show
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the V&A, Dundee
Looming outside, airy inside, Dundee’s V&A outpost is an adventurous space for a rousing display of Scottish design
Spellbound, Ashmolean Museum, Oxford
An exploration of magic and witchcraft is spooky but hardly scholarly
Forgive us, O Lord — we now have to whip off your clothes
The decision by the Royal Academy (RA) to impose gender quotas on the Renaissance nudes it shows next year can be understood in various ways. You can see it as a sympathetic #MeToo gesture aimed at restoring the imbalance between the sexes. Or you can see it as a cheap publicity stunt. In art historical […]
Edinburgh Festival: art review — Rembrandt, Scottish National Gallery
The Scottish National Gallery explores Britain’s deep love of Rembrandt with impressive loans and a host of etchings
Liverpool Biennial; John Moores Painting Prize, Liverpool
Art from cultures under threat is on show across the city at the Liverpool Biennial
Michael Jackson: On the Wall, National Portrait Gallery, London
With its unashamed flattery of its subject, the National Portrait Gallery’s Michael Jackson exhibition brings to mind religious iconography
Frieze Sculpture 2018, Regent’s Park
Public sculpture used to be pious, repetitive, dull. The Frieze pop-up in Regent’s Park shows that it’s now inventive, varied, fun
Aftermath, Tate Britain
The postwar art on show at Tate Britain is moving, but the works by German artists will haunt
Thomas Cole and Ed Ruscha, National Gallery; Christo’s Mastaba, Serpentine
Thomas Cole and Ed Ruscha light up the National Gallery with their extraordinary visions of decline