Recent articles

Last Supper in Pompeii review — the Ashmolean’s show will leave you hungry for more

    This evocative exhibition plays brilliantly on our food obsessions

    Life with Picasso by Françoise Gilot review — a fascinating look inside his life by his young lover

      The reissued memoir of Picasso’s mistress is a captivating portrait of a tyrant and an invaluable work of art history

      Olafur Eliasson: In Real Life, Tate Modern review — it’s a kind of magic

        After filling Tate Modern’s Turbine Hall with sunshine, Olafur Eliasson is back with fog, rain and moss

        David Smith, Yorkshire Sculpture Park review — the Michelangelo of welding

          America’s first sculptural giant gets a powerful, ambitious retrospective in Yorkshire

          Cindy Sherman at the National Portrait Gallery review — this joyous retrospective is full of surprises

            Sherman’s exhibition showcases her witty, inventive and unexpectedly moving twists on female stereotypes

            Leonardo da Vinci: A Life in Drawing review — the most complete representation of his talent and his journey

              This Queen’s Gallery show offers a route to the truth about this instinctive procrastinator

              Bartolome Bermejo at the National Gallery review — the art history books need to be rewritten

                Using just seven paintings, the National Gallery has pulled off an eye-opening tribute to the very Spanish Bartolome Bermejo

                Paula Rego at MK Gallery — the most gripping display in recent UK art

                  A brilliant retrospective in Milton Keynes shows the psychological darkness at the heart of her best work

                  Natalia Goncharova at Tate Modern review — not a convincing case for her talent

                    Tate Modern’s rare show of works by the Russian artist starts foggily and ends the same way

                    Waldemar Januszczak poses for Ai-Da, the world’s first humanoid robot artist

                      “I’m looking at the future — and she’s no Frida Kahlo,” says The Sunday Times art critic