Recent articles

How George Michael became the world’s biggest art collector — and best friends with Tracey Emin

    Waldemar Januszczak gets a sneak preview of the pop star’s art collection before it goes under the hammer

    The Renaissance Nude, Royal Academy

      The RA’s definition-busting show throws all preconceptions out of the window — and you’ll find at least as many naked men as women

      The ugly truth behind art: why Nan Goldin is taking on the Sacklers

        The Amercian artist is asking awkward questions about our gallery funding. It’s time we joined her

        Dorothea Tanning review — some striking feminine anger at Tate Modern

          One of many women overlooked in the surrealist movement, Tanning is now feted with a Tate show of her own

          Christian Dior, V&A review — an intermittently delightful exhibition

            For all its charm, the V&A’s Christian Dior exhibition shows clearly that the brand couldn’t measure up to its founder’s work

            Diane Arbus: In the Beginning, Hayward Gallery

              A surprising show at the Hayward reveals the great photographer’s gentler side

              Tracey Emin, White Cube Bermondsey

                Childless, sleepless and now motherless: the artist gives voice to her pain in an explosive show. It’s a game-changer

                Jeff Koons, Ashmolean Museum, Oxford

                  Koons at the Ashmolean: like Popeye giving the Reith Lectures

                  Bill Viola/Michelangelo, Royal Academy

                    The Royal Academy has put Bill Viola’s videos next to Michelangelo’s drawings: who wins?

                    Pierre Bonnard at Tate Modern — brightness is not the same thing as brilliance

                      Too many marks, too many colours, too little sense of direction: our critic is underwhelmed by the artist’s clunky, repetitive works