Recent articles

Emma Kunz, Serpentine Gallery; Grace Pailthorpe and Reuben Mednikoff, Camden Arts Centre

    Paintings by a pair of Freudians make a Swiss healer’s doodles look sane

    Chantal Joffe at Victoria Miro; Marcus Coates at Kate MacGarry

      Chantal Joffe’s elegant but edgy portraits and Marcus Coates’s madcap animal sculptures are fierce yet joyous

      Mike Nelson at Tate Britain review — junkyard sculptures lament our industrial past

        The Asset Strippers fills Tate Britain’s cavernous Duveen Galleries with the machinery that once made Britain great

        Baroque Art from Rome to England, Walker Art Gallery, Liverpool

          Head to Liverpool for a careful look at one of the great English baroque paintings

          Mary Quant, V&A

            She brought design to the masses — and invented the miniskirt. Waldemar Januszczak on a Sixties presence

            Edvard Munch: Love and Angst, British Museum

              Intense, nervy, unhappy, the Norwegian was also a bold, inventive printmaker, as a fascinating British Museum show proves

              Van Gogh in Britain review — Tate Britain’s show reveals his fruitful relationship with these shores

                This exhibition about the artist’s years in London offers several exciting paintings and a plotline that fizzles out

                Wernher Collection, Ranger’s House

                  The rediscovered Botticelli at Ranger’s House is very good news — not least for what it tells us about pomegranates this Easter Day

                  Anthea Hamilton, Thomas Dane Gallery review — funny, inventive and a little unsettling

                    The British artist’s latest show surrounds you with clues, but never confronts you with solutions

                    So Much Longing in So Little Space: The Art of Edvard Munch by Karl Ove Knausgaard review

                      It’s supposed to be a biography, but Knausgaard writes more about himself than Munch