Recent articles

Anthea Hamilton, Thomas Dane Gallery review — funny, inventive and a little unsettling

    The British artist’s latest show surrounds you with clues, but never confronts you with solutions

    So Much Longing in So Little Space: The Art of Edvard Munch by Karl Ove Knausgaard review

      It’s supposed to be a biography, but Knausgaard writes more about himself than Munch

      How George Michael became the world’s biggest art collector — and best friends with Tracey Emin

        Waldemar Januszczak gets a sneak preview of the pop star’s art collection before it goes under the hammer

        The Renaissance Nude, Royal Academy

          The RA’s definition-busting show throws all preconceptions out of the window — and you’ll find at least as many naked men as women

          The ugly truth behind art: why Nan Goldin is taking on the Sacklers

            The Amercian artist is asking awkward questions about our gallery funding. It’s time we joined her

            Dorothea Tanning review — some striking feminine anger at Tate Modern

              One of many women overlooked in the surrealist movement, Tanning is now feted with a Tate show of her own

              Christian Dior, V&A review — an intermittently delightful exhibition

                For all its charm, the V&A’s Christian Dior exhibition shows clearly that the brand couldn’t measure up to its founder’s work

                Diane Arbus: In the Beginning, Hayward Gallery

                  A surprising show at the Hayward reveals the great photographer’s gentler side

                  Tracey Emin, White Cube Bermondsey

                    Childless, sleepless and now motherless: the artist gives voice to her pain in an explosive show. It’s a game-changer

                    Jeff Koons, Ashmolean Museum, Oxford

                      Koons at the Ashmolean: like Popeye giving the Reith Lectures