The British artist’s latest show surrounds you with clues, but never confronts you with solutions
Recent articles
So Much Longing in So Little Space: The Art of Edvard Munch by Karl Ove Knausgaard review
It’s supposed to be a biography, but Knausgaard writes more about himself than Munch
How George Michael became the world’s biggest art collector — and best friends with Tracey Emin
Waldemar Januszczak gets a sneak preview of the pop star’s art collection before it goes under the hammer
The Renaissance Nude, Royal Academy
The RA’s definition-busting show throws all preconceptions out of the window — and you’ll find at least as many naked men as women
The ugly truth behind art: why Nan Goldin is taking on the Sacklers
The Amercian artist is asking awkward questions about our gallery funding. It’s time we joined her
Dorothea Tanning review — some striking feminine anger at Tate Modern
One of many women overlooked in the surrealist movement, Tanning is now feted with a Tate show of her own
Christian Dior, V&A review — an intermittently delightful exhibition
For all its charm, the V&A’s Christian Dior exhibition shows clearly that the brand couldn’t measure up to its founder’s work
Diane Arbus: In the Beginning, Hayward Gallery
A surprising show at the Hayward reveals the great photographer’s gentler side
Tracey Emin, White Cube Bermondsey
Childless, sleepless and now motherless: the artist gives voice to her pain in an explosive show. It’s a game-changer
Jeff Koons, Ashmolean Museum, Oxford
Koons at the Ashmolean: like Popeye giving the Reith Lectures