Waldemar Januszczak is given exclusive access to the most important of the artist’s outpourings at the gallery’s temporary home

A lucky few graduates seize the moment — with work that questions nature and identity

Titian’s Poesies are united for the first time at the National Gallery, and Waldemar Januszczak is awestruck

Were Lucas Cranach’s paintings of naked ladies there to titillate — or to educate? By Waldemar Januszczak

A resonant photography exhibition focusing on segregation in 1950s America turns the lens on to the everyday cruelties and injuries of racism

The challenges of lockdown have been met with varying degrees of success online by art galleries, says Waldemar Januszczak

It is the first of the big guns to open its doors, and what treasures await

Solitude has not only magnified the importance of art, but also given our artists a renewed sense of focus, says Waldemar Januszczak

Frightening times bring to mind a disturbing installation, says Waldemar Januszczak

The Serpentine’s daft ‘Do It’ project doesn’t do it for me — they could survey developments by black artists instead, says Waldemar Januszczak