Archive

Art:: New Blood

    It’s ignorant, yobbish, cack-handed and tasteless. The Saatchi’s New Blood is ego run mad. Waldemar Januszczak calls for a transfusion — pronto

    Art: And forgive them their trespasses

      Pre-Raphaelite Vision proves the brotherhood really could paint. So, does Hunt’s scary Scapegoat really work, asks Waldemar Januszczak

      Art: The rot of ages

        At Tate Britain, Waldemar Januszczak finds Brit Art alive and well — and revelling grotesquely in the Fall

        Art: Roy Lichtenstein

          Iconic and fun they may be, but with a whole show devoted to Roy Lichtenstein’s dotty comic-strip style, the joke starts to wear thin, says Waldemar Januszczak

          Art: State of Play

            A funny thing happened on the way to the new Serpentine show: the gallery got a sense of humour, says Waldemar Januszczak

            Cover Story: A brush with Eden

              Sunday Times art critic Waldemar Januszczak’s passion for Gauguin drove him to a South Pacific atoll. It might be one of the world’s remotest places but it’s only inches from Eden

              Art: El Greco

                Painting was El Greco’s weapon in a holy war — and he saw that it had to do more than mimic reality, says Waldemar Januszczak

                Comic belief

                  By putting cartoon strips on gallery walls, Roy Lichtenstein helped to create the hip art movement that defined the 1960s. But his works are far from throwaway or simplistic — as a grand new exhibition reveals

                  Art: Vuillard

                    As a lonely voyeur, Vuillard was a genius. What a pity he loosened up, says Waldemar Januszczak

                    Art: Brancusi

                      Brancusi was an overrated plunderer of primitive art, says Waldemar Januszczak. The evidence is on show at Tate Modern