Renaissance Faces at the National Gallery offers plenty of visual treats, but little food for thought
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Andy Warhol at the Hayward Gallery
The intimate detail of the artists’s life in film is the focus of the Hayward’s eccentric new show
The Revolution continues at the new Saatchi Gallery
Saatchi’s new gallery, a huge home for his great passion for Chinese art, reestablishes his importance to modern art
Artist in the frame as killer
FOUR paintings depicting an Edwardian murder scene have gone on show together for the first time, resurrecting speculation that Walter Sickert, the artist, had serial killer tendencies. Sickert, who died in Bath in 1942, has been accused by Patricia Cornwell, the American crime writer, of being Jack the Ripper. He would have been 28 when […]
Mark Rothko in a whole new light
History paints Rothko as modernism’s martyr – unavoidably tragic – but a startling Tate show suggests we’ve had him wrong all these years
Francis Bacon at the Tate Britain
The Tate’s blockbuster show reveals Francis Bacon’s fierce genius – and limited range, says Waldemar Januszczak
Does Damien Hirst’s auction at Sotheby’s mean the end of the gallery?
Next week, Damien Hirst becomes the first artist to sell brand-new work at auction. He says greed is good for artists
Waldemar Januszczak’s Sculpture Diaries
Painting: pah. It’s the flashy young pretender to the throne of the great god sculpture, says our critic, who’s spent a year finding the world’s best
Cézanne at the Courtauld
Some might think him boring. They’re wrong. For Cézanne was a man who revolutionised art, as the Courtauld’s show proves
Hadrian – Empire and Conflict at the British Museum
The BM’s Hadrian show couldn’t be more timely. His political problems were just like ours