Waldemar Januszczak is won over by the oddball charm of the Beck’s Futures show

Picture Post was the 1950s in magazine form, the record of post-war England. Its great talent was Thurston Hopkins — who photographed the biggest stars and wasn’t afraid to illuminate the dark side of life

It’s ignorant, yobbish, cack-handed and tasteless. The Saatchi’s New Blood is ego run mad. Waldemar Januszczak calls for a transfusion — pronto

Pre-Raphaelite Vision proves the brotherhood really could paint. So, does Hunt’s scary Scapegoat really work, asks Waldemar Januszczak

At Tate Britain, Waldemar Januszczak finds Brit Art alive and well — and revelling grotesquely in the Fall